Preparation Techniques
Checking Materials For Faults:
Checking materials for faults refers to looking back through the recorded material for that particular shoot. This is necessary to find any faults in video and audio, so that the director can arrange a re-shoot.
Synchronising Rushes:
This is when audio needs to be synced up to the postage. This is done by matching the image if the clapperboard closing, with the loud spike in the audio. This helps sync speech and movement.
Producing a Rushes Log:
Producing a Rushes Log:
The log contains the stored footage and audio along with details like time, date, actors, angle, e.c.t.
Making up a Script:
This is where notes are made on the script to help the editor to understand how the director wants the film edited. This include cuts, transitions, sound effects, e.c.t.
Labelling Tapes:
While this has become obsolete, we still label audio and video in the same way to identify the specific set we need.
Storing tapes and Film:
Film is stored in metal containers to keep the reel from degrading over time.
Producing an Edit Decision List:
This list is created by the director for the editor to use when editing the footage on where to put SPFX and audio.
Making up a Script:
This is where notes are made on the script to help the editor to understand how the director wants the film edited. This include cuts, transitions, sound effects, e.c.t.
Labelling Tapes:
While this has become obsolete, we still label audio and video in the same way to identify the specific set we need.
Storing tapes and Film:
Film is stored in metal containers to keep the reel from degrading over time.
Producing an Edit Decision List:
This list is created by the director for the editor to use when editing the footage on where to put SPFX and audio.
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